Two questions. Would you wear a dead bird on your hat and are you a dedicated follower of fashion? Personally, my answer to both is a resounding no. Look closely at the image above, taken from an article written by Lisa Wade in 2017. At first sight it may be viewed as a thing of beauty until you look closer and see it is an actual bird, or an amalgamation of bird parts. I make no apologies for the shock tactics. Continue reading “Murderous Millinery”
Library staff are participating in History Day 2020, a set of interactive events which allow students, researchers, and lovers of history to explore archival, museum, and library collections that tell us more about the past. Our contribution takes the form of two blog posts–links and more details below!
In ‘Silencing the Music‘, Special Collections Librarian Claire Arrand and music librarian Hope Williard reflect on the delay coronavirus has caused for a joint research project with two undergraduate students, Valerie Arinda and Megan Lomas. Our project, ‘Distant Music: Uncovering the Music of Lincoln Cathedral Library’, will involve investigating Lincoln Cathedral’s incompletely catalogued manuscript and printed sacred music. Due to the pandemic, and the impossibility of conducting socially distanced or online research, the project has been put on hold, but we hope you enjoy reading about it, and getting a sneak peek at some of the cathedral’s musical treasures.
The vellum chart covers the North Atlantic and adjacent coastlines from the St Lawrence River to the mouth of the River Amazon and from Scotland to the west coast of North Africa. It was drawn by Nicholas Comberford of Stepney, originally from Kilkenny but apprenticed to a mapmaker at the London Drapers Company. He signed maps from 1626-1670, of which almost 30 survive.