Author: Claire Arrand

Perfectly Pink

Claire Arrand / / arts, Special Collections

One of my favourite sentences is ‘Have you read …?’, either because a good book can be recommended to a friend/colleague/family member or because following a positive response the result is an interesting discussion. I am referring to works of fiction but being a librarian this obviously spills over into work. As Special Collections Librarian I am seconded to Lincoln Cathedral Library two days a week, working in Exchequer Gate home of medieval manuscripts, early printed books, modern reference and archival material, available for staff and students.

Toni Watts was Lincoln Cathedral’s Artist in Residence 2015-2016, during which time she spent many hours looking through the illuminations in Lincoln Cathedral Library’s medieval manuscripts. Not wanting to lose her exquisite skill set the Cathedral has retained the connection with her position as Cathedral Illuminator. Find out more about Toni’s work – A Medieval Scribe in the Modern Day: the Illuminations of Toni Watts

Last month I came across a catalogue record in Lincoln Cathedral’s library catalogue for Mark Clarke’s Early English Text Society’s 2016 volume 347.

I emailed Toni with the ‘Have you read’ sentence and during her subsequent visit to Exchequer Gate, where the journal is located, Toni found a recipe for pink. A proper pink, not an orangey pink, which required brazilwood and an artist’s eye to transform from the page into paint. This pink will be used in Toni’s future classes, as she said “The benefit of access to a good book”. 

The following week I collected a bumper crop of oak galls from oak trees in Silica Country Park, which Toni uses to make the iron gall ink and will be used to make her black ink. 

See Toni Watts’ Website 

Claire Arrand Special Collections Librarian https://guides.library.lincoln.ac.uk/specialcollections  

‘That is no dog, but a witch!’ 

Claire Arrand / / Library, Special Collections, Uncategorized

by Ella Gibson

Observations on Prince Rupert’s White Dog Called Boy

Last year I did a week’s work experience in the University Library and Lincoln Cathedral Library’s Exchequer Gate. During this time, I was lucky enough to view some original civil war material from the Wren Library and one item that particularly stood out to me was about Prince Rupert’s dog. 

The English Civil War (1642-1660) split the country in half, Parliamentarians and Royalists fighting over the governing of their country.  

Prince Rupert began his military career at the age of thirteen. He was born during the Thirty Years War, which tore his nation apart, therefore conflict was all many people of the time knew, including Rupert. He was a strong military leader until an unfortunate failed expedition, which landed him in prison in Austria. Due to his high status and romantic affiliation with his captor’s daughter, he received special treatment, such as books and then most notably the gift of his white hunting poodle ‘Boy’.  

Upon returning to England, there was initial fear and superstition surrounding the dog, who was said to accompany Rupert everywhere, including into battle. Descriptions of their close relationship can be found in this pamphlet, which suggests ‘they lie perpetually in one bed’,

although the descriptions of the dog as a bullet proof witch may seem humorous to a modern audience, it reveals the superstition of the time. 

Furthermore, this fear was not only of the supernatural but is intrinsically linked to the fear of women, who were blamed for all manner of failures. The words ‘woman’ and ‘witch’ are used interchangeably as explanations as to why Prince Rupert’s dog is working for the devil, revealing to us the ideologies of the time surrounding women and witchcraft.  

Ultimately Boy was not weapon-proof as the pamphlet describes, as he died after being shot on the battlefield of Marston Moor, leaving a bereft Prince Rupert to mourn his loss. 

The Wren Library is undergoing ceiling repairs, so the Civil War tracts are not currently available. However, Newark’s Civil War Museum is currently open see National Civil War Centre, Newark. 

In 2022 during a Fake News exhibition a replica of Boy’s collar, ID tag, lead and paw print were on display. 

Warrior Queens

Claire Arrand / / Special Collections, Women's History Month

By Claire Arrand (Special Collections Librarian)

 

Postscript

For last year’s Women’s History Month I wrote a blog called ‘Murderous Millinery’, about the beginnings of the RSPB (Royal Society for the Protection of Birds) and the campaigns against using feathers in fashion. This postscript refers to the long overdue installation in Manchester, at Didsbury’s Fletcher Moss Park, of a statue to one of the founders, Emily Williamson, which will take place on 17th April 2023.Example of hat with bird feathers

This fact emerged from a Christmas present, perfectly chosen and brimming with information on exceptional women, from poet Enheduanna (2885-2250 BCE) to current day Greta Thunberg.

Continue reading “Warrior Queens”

Murderous Millinery

Claire Arrand / / Women's History Month

Two questions. Would you wear a dead bird on your hat and are you a dedicated follower of fashion? Personally, my answer to both is a resounding no. Look closely at the image above, taken from an article written by Lisa Wade in 2017. At first sight it may be viewed as a thing of beauty until you look closer and see it is an actual bird, or an amalgamation of bird parts. I make no apologies for the shock tactics.   Continue reading “Murderous Millinery”

GCW Library Contributes to History Day 2020

Claire Arrand / / Research, Special Collections

Library staff are participating in History Day 2020, a set of interactive events which allow students, researchers, and lovers of history to explore archival, museum, and library collections that tell us more about the past. Our contribution takes the form of two blog posts–links and more details below!

MS 95 f.6v – a fragment of a 15th century antiphoner (a book of the responses sung at different parts of a Catholic church service. The manuscript was subsequently used to cover other manuscripts)

In ‘Silencing the Music‘, Special Collections Librarian Claire Arrand and music librarian Hope Williard reflect on the delay coronavirus has caused for a joint research project with two undergraduate students, Valerie Arinda and Megan Lomas. Our project, ‘Distant Music: Uncovering the Music of Lincoln Cathedral Library’, will involve investigating Lincoln Cathedral’s incompletely catalogued manuscript and printed sacred music. Due to the pandemic, and the impossibility of conducting socially distanced or online research, the project has been put on hold, but we hope you enjoy reading about it, and getting a sneak peek at some of the cathedral’s musical treasures.

Continue reading “GCW Library Contributes to History Day 2020”

University of Lincoln unveils the mysteries of Lincoln Cathedral’s 1638 Comberford Chart

Claire Arrand / / Library, Special Collections

The vellum chart covers the North Atlantic and adjacent coastlines from the St Lawrence River to the mouth of the River Amazon and from Scotland to the west coast of North Africa. It was drawn by Nicholas Comberford of Stepney, originally from Kilkenny but apprenticed to a mapmaker at the London Drapers Company. He signed maps from 1626-1670, of which almost 30 survive.

Continue reading “University of Lincoln unveils the mysteries of Lincoln Cathedral’s 1638 Comberford Chart”